Showing posts with label web fonts. Show all posts
Showing posts with label web fonts. Show all posts

Google documents, now with web fonts!

(Cross-posted from the Google Docs Blog)

In the past month we’ve made updates both big and small to Google Docs, and today we’re announcing one more: web fonts in Google documents. Often the best way to get your point across is to present your idea in a creative, captivating way. Today, we added over 450 new fonts to Google documents to make it easier for you to add a little something extra to whatever you create.

To use these new fonts, click on the font menu and select “Add fonts” at the very bottom, which will take you to a menu of all the Google Web Fonts available.


Once you’ve selected new fonts, you’ll be able to select them from the font menu.


Whether you’re looking for the perfect font for your first comic book or fancy handwriting for your wedding invitations, we hope you try out the new fonts and create some eye-catching documents.

In addition to hundreds of new fonts, we have a lot of other exciting updates to report:
  • Google Drive launched as a place where you can create, share, collaborate, and keep all your stuff. 
  • There are now a few more options for inserting images in Docs, including inserting from Google Drive, searching for images from the LIFE Photo archive, or taking a snapshot with your webcam. 
  • Charts in spreadsheets now has support for minor gridlines and options to customize the formats of axis labels 
  • Accessibility in Docs got better with support for screenreaders in presentations and with the addition of NVDA to our list of supported screenreaders
  • From File > Page setup... you can now set the default page size for your new documents. 
  • It's now easier for speakers of right-to-left languages by automatically showing bidirectional controls when you type in a language that might use them. 
  • Apps Script had many improvements, including 
    • A new ScriptService for programmatically publishing your scripts and controlling when they run. 
    • A new function to find the root folder of someone’s Drive. 
    • An increase in the allowed attachment size in emails from 5MB to 25MB. 
    • An increase in the size of docs files you can create from 2MB to 50MB. 
  • There are now over 60 new templates in our template gallery.

    Scary Fonts For Halloween

    Halloween is here - what a fun time of year! The pumpkins are carved and the seeds are roasting in the oven, a chill is in the air, and all the little monsters are busy planning their best tricks and hoping for excellent treats. With all the trick or treating & costume planning, why not add some Halloween spirit to your website as well? We're happy to publish 4 new, fun, and scary fonts this week that are sure to provide a spoooooky feel for your website!



    We would love to see how creative you can get with these fonts - please let us know where you are using them in the comments of this post, and we'll send out a Google Web Fonts T-shirt for our favorite!



    Creepster by Sideshow





    Its ghastly! Its gory! Its gruesomely gleeful! It's Creepster Caps, the blood-curdling new font from Squid and Sideshow. This fright-filled font has so many alternates its like stitching together your own monster every time you use it. Creepster Caps: perfect for all of your grisly graphic needs!



    Eater Caps by Typomondo





    Eater Caps is a display font infected by the darkest of rare disease that slowly spreads at night while the webfont user sleeps.



    Nosifer Caps by Typomondo





    Nobody knows where Nosifer Caps comes from. It emanates a dark stench as it drips from the internet.



    Butcherman Caps by Typomondo





    Butcherman Caps is a zombified display font, hacked and chopped and left for dead, yet still crawling!



    Posted by Posted by Dave Crossland, Font Consultant, Google Web Fonts

    Introducing Expletus Sans

    Expletus Sans was added to Google Web Fonts this week.

    Jasper de Waard, born in 1996, first came in contact with the beauty of type design when he was 10, and developed his skills as a type and graphic designer ever since. He was born and raised in Rotterdam, the Netherlands, and went to a bilingual high school there, training him to read and write English fluently and have a more international focus. He is currently in his third year, three years before his exam. He hopes to continue his practices in the fields of type and graphic design after he finishes school and release many more typefaces in the future.

    His love for the tiny details, balance in proportions and urge for perfection made him into what he is today. However, the great support and feedback from people on several forums can't be denied as a great source of inspiration and evaluation material, giving him a greater understanding of the method behind type design. He is also available for custom type work and identity design.




    Q: What inspired you to create the font?

    It was a single x in a logo that started me off, but it was largely a search for my own opinions in type design so in a way you could say Expletus Sans was 'self-inspired'.

    Q: Did you try to accomplish something specific with this font, and did you succeed?

    I wanted to create a look that was completely different from everything I knew. I feel like I definitely succeeded in this.

    Q: What kinds of documents are most appropriate for this font?

    It could be used for anything that needs a good dose of elegance. I would personally love to see it in identity work.

    Q: Designing a new font is a long journey. What inspires you to keep motivated throughout all the different stages?

    Ones I put my mind to something, I finish it. With designing a typeface I feel like I have no choice. Once I've started, I get obsessed with perfection. Apart from that, it was the many great responses I got on the internet on my work that kept me motivated.

    Q: What is your favourite part of the type design process, and why?

    The very beginning. Trying to work out the basic lines of a concept and see the skeleton of the typeface emerge. It pleases me most, because it's the fastest and most rewarding process. After that it's months of tiny little details.

    Q: Can you recommend how other type designers can learn the skills involved in making a font like this?

    Start drawing or straight on the computer and post your work on as many type-related websites as you can think of. Take your time to read through feedback and never dismiss an idea before you have seen it. Don't give yourself a deadline. You'll never make it in time.

    Q: What are your favourite fonts, and why?

    All fonts by Robert Slimbach, because of his brilliant eye for perfection. Dolly, because of it's comfortable, yet fresh feel. The Centro superfamily, for excellence throughout all styles. Many more, for even more different reasons.

    Q: What do you think could be improved about the type design process?

    Multiple Master should be used more extensively and automated processes like iKern are underrated.

    Q: How do you feel about publishing your font as an open source project?

    It just happened to me. I never particularly thought about it, until you knocked at my door. It seems like a good way to start and increases the chance of seeing my work in use. I feel like it gives me the chance to make the world just a little bit more beautiful and let others enjoy that too, without charge.


    Introducing the Ubuntu Font Family to the web

    Google and the Ubuntu project have today released the Ubuntu Font Family to the world through the Google Font Directory. The new Ubuntu Font Family debuted in the current Ubuntu 10.10 release of the Ubuntu operating system and is also available for download from font.ubuntu.com.

    The main www.ubuntu.com site features the Ubuntu Font Family in-use from today (screenshot below). Through the magic of the Google Font API any web designer can now pick Ubuntu from the Google Font Directory and bring the beauty and legibility of the Ubuntu fonts to their websites too.

    The Ubuntu Website using the Ubuntu Font Family



    The Ubuntu typeface family is a set of new fonts in development throughout 2010–2011. The development is being funded by Canonical Ltd on behalf the wider Free Software community and the Ubuntu project, with the skilled font work being undertaken by Dalton Maag. Like everything else in Ubuntu, the fonts are free to use and legal to share, sell, bundle and build upon. The included “source code” allows remixing, improvement and expansion by anyone with the skills or an interest. This release includes Latin, Cyrillic and Greek support, and future versions will be automatically rolled out to everyone using the Google Font API.

    Mark Shuttleworth, founder of the Ubuntu project, commented: "Our focus on design and usability in Ubuntu led us to create a font which is at once beautiful and readable. We're delighted to share the Ubuntu Font Family with web designers around the world who want their websites to be stylish and readable in as many languages and browsers as possible. The publication of the Ubuntu font on the global Google Font Directory is an appropriate treat for the festive season, and we wish all those who contribute to, and enjoy the benefits of, free software and open content a very happy and healthy solstice and New Year."



    Bruno Maag of the Dalton Maag type foundry, who have been working with Canonical on the design and technical implementation of the typeface commented, “It is unique in our company’s history to work on such a comprehensive high-quality font and to have it given to the World to use for free. The creativity and expertise that is available in the open source world, in particular the insight into language and script requirements, ensures that the fonts are a useful tool for everyone. The right font used correctly can increase accessibility to information and increase productivity. With today’s gift, we expect to see widespread adoption of the Ubuntu fonts from today, as it combines design at its best with simple distribution through the Google Font API.”



    Google is excited to be providing such a high quality font to the world, with all of the benefits of web fonts including amazing searchability and accessibility. Web fonts demonstrate the true power of the web, as web pages can be translated and still preserve a rich visual presentation - something not possible with any other technology, especially baking text into images. The Canonical Design blog has a history of the fonts’ development and as the language coverage increases throughout 2011, users will automatically get those improvements along with the performance and reliability they can expect from Google. I hope that people have fun over the holidays adding the Ubuntu web fonts to their sites!

    Posted by Raph Levien, Google Fonts